Poltermann is a producer, director and editor, primarily working in documentary.
His first feature as a director/editor was the indie-horror film Aswang, which premiered at the 1994 Sundance Film Festival and would eventually become a cult favorite. Aswang led to editing documentary segments for John Pierson’s IFC show Split Screen in 1996, which in turn led to working as a co-producer on Chris Smith’s The Making of Northwestern. Poltermann eventually became the editor of Smith’s film which, renamed American Movie, would go on to win the Grand Jury Prize at the 1999 Sundance Film Festival.
By the late 90’s, Poltermann was signed as a commercial director by Spoke Films, in Venice California. There he would direct national commercials for brands such as Coca Cola, Ford Motors, Hyundai, All-State Insurance, McDonalds and AT&T.
In 2004 he was asked to executive produce and consult on the edit for the Wu-Tang-Clan profile Rock the Bells (Warner Brothers). Later that year, he would also co-direct & edit The Life of Reilly, a performance documentary featuring game show fixture Charles Nelson Reilly. Both films were released in 2006, with a SXSW premiere for The Life of Reilly and a premiere at the Tribeca Film Festival for Rock the Bells.
In 2006 Poltermann spent six months in India editing on location with director Chris Smith, helping to craft the highly improvised dramatic feature The Pool, which would win the Special Jury Prize at the Sundance Film Festival in 2007.
Later in 2007, Poltermann founded About Face — a commercial production company, specializing in brand storytelling through documentary. At About Face he has worked as a creative director and supervising editor on numerous commercial documentaries for brands such as Wilson Sporting Goods, JP Morgan, FedEX and MasterCard.
In 2009 Poltermann would continue his collaboration with Smith by editing the feature documentary Collapse, which premiered at the 2009 Toronto Film Festival. Poltermann then worked as an Executive Producer for Chris Thompson‘s The Jeffrey Dahmer Files, which premiered at SXSW in 2012. Poltermann also did additional editing and creative consulting for both The Jeffrey Dammer Files and Collin Schiffli’s dramatic feature Animals, which premiered at SXSW in 2014; and Chris Thompson’s ESPN 30 For 30 MECCA: The Floor, which was also released in 2014.
In 2014 he collaborated with filmmakers Tim Skousen and Jeremy Coons (Napoleon Dynamite) by editing Raiders! The Story of the Greatest Fan Film Ever Made, which premiered at the 2015 SXSW Film Festival and was theatrically released in the summer of 2016; and in 2016 edited ZEDD: True Colors — a feature documentary about the meteoric rise of the EDM star Zedd, which premiered at the 2016 Los Angeles Film Festival.
Chris is one of our co-founders. An accomplished filmmaker, Chris’ films include American Job (1996 Sundance Film Festival), American Movie (1999, Sundance Film Festival Grand Jury Prize, Sony Pictures Classics), Home Movie (2001, Sundance Film Festival), The Yes Men (2004, United Artists), The Pool (2008, Special Jury Prize at the Sundance Film Festival), and most recently, Collapse, which premiered at the Toronto International Film Festival in 2009 and was on numerous top ten lists as one of the best documentaries of 2010.
Chris is also highly regarded as a commercial director and is represented by commercial production company Smuggler Films in Los Angeles. He has directed national television commercials for companies such as Geico, Intuit, Volkswagen and Qwest.
In 2004, native Texan Jeremy Coon produced and edited a film that would win fans of all generations: Napoleon Dynamite. Napoleon premiered in Dramatic Competition at the 2004 Sundance Film Festival, where it was acquired by Fox Searchlight Pictures and released the following summer; it became one of the most profitable and culturally impactful indie films in history.
In 2006, Jeremy produced and edited The Sasquatch Gang, a teen comedy he co-produced with Academy Award winner Kevin Spacey. Sasquatch won the audience award at the 2006 Slamdance Film Festival as well as Best Director (Tim Skousen) and Best Actor (Justin Long) at the 2006 HBO U.S. Comedy Arts Festival. Humble Pie was Jeremy’s third feature as a producer and won Best Film at BendFilm and Audience Award for Best Feature at the Sidewalk Film Festival. The film played over 30 film festivals around the world and was released in 2009. Thunder Broke the Heaven’s, Jeremy’s fourth feature film as a producer, won the Audience Award for Best Narrative Feature at the 2015 Dallas International Film Festival.
After getting his MBA, Jeremy helped launch MovieClips.com (one of Time Magazine’s Top 50 Websites of 2010 and rebranded as ZEFR in 2014) and executive produced the animated television series Napoleon Dynamite for 20th Century Fox Television which aired after The Simpsons in primetime. Most recently, Jeremy co-directed and produced the feature-length documentary Raiders! which premiered at the 2015 SXSW Film Festival and was released theatrically by Drafthouse Films to rave reviews in June 2016.
Manny Marquez fell in love with storytelling around the age of 7. A family friend gifted him a subscription to Ranger Rick Magazine, and Manny couldn’t wait for the newest issues to come in the mail. Inspired, he began to write his own Ranger Rick stories.
Soon after, his mother gave him a Fisher Price 110 camera. It wasn’t long before he and his cousins started production on a video series, an attempt to create their own Star Trek spin off.
An Eagle Scout, Manny received a scholarship for a film he made as part of his cinematography merit badge. He soon headed to California to pursue a degree in film writing and directing from the Art Center College of Design in Pasadena. His final project Rudolph Florence premiered on the PBS series Fine Cut and was one of 5 films chosen for the USC Crossroads Film Festival in 2003.
His writing and directing experience helped him become a part of Film Independent’s program, Project Involve. Manny’s mentor was Larry Karaszewski, screenwriter of Ed Wood, Man on the Man, The People vs Larry Flint, and many other screenplays. Manny was honored by the First Americans in the Arts association, and also received the Barbra Boyle Scholarship.
Manny was soon working in the camera department on reality shows as he spent his free time making music videos for his friends bands in the Echo Park and Silverlake area of LA.
The real defining moment of his career came when he decided he was going to make his own documentary, Psychopath. Manny’s uncle, a garbage man that had wanted to be a special effects make-up artist, was taking his life savings and building a haunted house theme park. This led him to meeting Barry Poltermann, who began helping on the post-production of the project.
His recent short film, Operation Allie, played festivals across America after premiering at the prestigious documentary festival, Big Sky.
Manny now lives in Hood River, Oregon with his wife Leigh and their two sons, Gus and Levon. He likes to ride his bike around the Columbia River Gorge, walk the riverbanks with his dog Bandit, and enjoys the many breweries around town. He’ll be drinking an IPA.
Denis Henry Hennelly has directed three feature films – Rock The Bells (Warner Home Video), Bold Native, and Goodbye World (Samuel Goldwyn Films).
The critically acclaimed documentary Rock The Bells premiered at the Tribeca Film Festival and earned comparisons to Gimme Shelter and Woodstock. Premiere called it “outright exhilarating,” and The Village Voice hailed it as “a nerve-racking knockout of a film.”
Bold Native, the first fiction film about the Animal Liberation Front, was self-distributed through dozens of sold-out event screenings and via digital platforms. Hip Hop mogul Russell Simmons, who hosted the NYC premiere, called it “Creative, fun, and impassioned… I was blown away.”
Goodbye World (starring Adrian Grenier, Gaby Hoffmann, Ben McKenzie, Kid Cudi, Kerry Bishé, Caroline Dhavernas, and Mark Webber) tells the story of a group of estranged friends reuniting as civilization collapses and received praise for its character development and unique story. Screen International said Goodbye World “wears its heart on its sleeve, is engagingly performed, beautifully shot and always absorbing.” Twitchfilm called it “one of the most entertaining indies of the year” and Film Pulse called it “the most charming catastrophe film in theaters right now.”
Casey Suchan co-directed Rock The Bells, a Warner Brothers documentary on the final performance of hip-hop artists Wu-Tang Clan. Rock The Bells was a Tribecca Premiere and picked up for distribution by Warner Brothers.
Suchan previsously produced a series of best-selling documentaries on Hip Hop culture and history with Quincy (QD3) Jones, III. Thug Angel, the first documentary to explore Tupac Shakur’s life, broke sales records for its distributor, Image Entertainment.
The Freshest Kids has become an underground favorite on the development of East Coast breakdancing, and Beef and its sequel Beef 2, are considered by most Hip Hop fans to be definitive explorations of the MC battle from Kool Moe Dee to 50 Cent.
Beef was certified double platinum and awarded Best Music DVD of the Year by VIBE Magazine.
Currently, Casey is in production on a feature documentary about a precedent setting case brought against the activist organization “Stop Huntington Animal Cruelty USA”.
Chris James Thompson is an award-winning director whose first feature film The Jeffrey Dahmer Files premiered in competition at the SXSW Film Festival (2012), became a New York Times Critics Pick, and was acquired by IFC for distribution.
He also recently completed a short documentary MECCA, which was released by EPSN as part of their ’30-for-30′ series and is currently in post-production on his latest documentary, “A Guantanamo Bay Story”, coming soon.
His credits also include work on the films: The Pool (Winner-Sundance Film Festival 2007), Collapse (Toronto International Film Festival 2009) and Suffering & Smiling (Winner-Human Rights Watch Film Festival 2006). Chris also made The Making of the Pool in 2007.
Understatement Alert: Frank has led an interesting life. Born in the Philippines. Raised in rural Wisconsin. Played pedal steel guitar bars and beer halls as a teenager. Attended San Francisco State University, majoring in Ancient Japanese languages. Moonlighted as a sideman for country western performers such as Rose Maddox and Johnny Paycheck. Spent most of the ‘80s freelancing for several Bay Area-based animation houses including Colossal Pictures. Was an in-demand session musician in the ‘90s, playing on dozens of recordings for legendary record producer Butch Vig (Nirvana, Smashing Pumpkins, Green Day). Designed the Milwaukee Brewers famous Racing Sausages. Directed for Tricky Pictures, the animation subsidiary of Backyard Productions. Co-directed the critically acclaimed feature film, The Life of Reilly, based on the life of comedian Charles Nelson Reilly. Taught animation and film studies. Wrote two books. Maintained a much-respected blog. Directed scores of television commercials for Purple Onion Films. And recently launched the animation and motion graphics shop This Is Mythic with his son Oliver.
Tim Irwin grew up on skateboarding and punk rock. It was a video production class in high school that first put a camera in his hands and he began shooting his friends skateboarding and making documentaries about his friends bands. That’s where it began and he hasn’t stopped pointing his camera at things since.
Tim attended BYU where he studied sociology with a minor in film. At the time there was no documentary curriculum in the film department so Tim made his own by majoring in sociology and talking his professors into letting him make documentaries instead of writing research papers.
After college, Tim cut his teeth in the professional world by editing several award winning action sports documentaries on professional athletes. This led to shooting and directing several more actions sports films.
In 2005 Tim finished directing the seminal punk rock documentary “We Jam Econo” about San Pedro punk band The Minutemen. The Film played in 90 theaters world wide, and had it’s television premiere on the Sundance Channel.
Since then Tim has been consistently booked as a DP or Director for clients such as Fuel TV, Paramount Pictures, Fox Sports, Rogue Fitness, Sports Illustrated, Johnson and Johnson, and Oakley Sunglasses. Tim has spent the last 10 years traveling the globe shooting and directing commercials, tv shows, documentaries and corporate branding and marketing spots.
He recently finished shooting on a feature length documentary on the band Jawbreaker, Don’t Break Down, which is in post-production.
Erik Ljung is a Producer and Director of Photography who has directed / produced / shot content and short documentaries for the New York Times, VICE News, Al Jazeera, PBS and the Wall Street Journal. He is a current Mary L. Nohl Fund Fellow, and is currently working on a documentary on the police shooting of Dontre Hamilton in 2014, tentatively called Mothers for Justice.
If you’ve ever heard songs by influential indie band The Promise Ring or his current acclaimed band Maritime, you’ve heard Dan’s music — he was a founding member and drummer for both bands.
Dan’s primary role at September Club is as the Post Production Supervisor, which means that he oversees all editorial projects for the company. So if you’ve ever seen any September Club work, you’ve seen Dan’s editing and storytelling magic at work.
Dan recently moved into producing on the film Don’t Break Down, the story of the seminal punk-emo band Jawbreaker.
Dan is married with two kids.
Michael directed The 414s for CNN, which premiered at the 2015 Sundance Film Festival, was the director of photography on The Jeffrey Dammer Files, and was the editor on the ESPN 30-for-30 MECCA: The Floor. He is currently editing a documentary on the police shooting of Dontre Hamilton in 2014, tentatively called Mothers for Justice.
As a kid, Michael and some of his friends used a VHS camcorder to make a film. The film, which he describes as, “Something about the C.I.A, some ambiguous ‘papers’, and a lot of ketchup-blood,” went on to win the Betty Brinn Children’s Museum Film Festival in Milwaukee. He was an overnight success. But that early luck didn’t convince him to go into film.
Instead, he went into the University of Minnesota, and then worked in Chicago as an assistant at a high-end wedding photography studio. “I learned a surprising amount about photography, composition, lighting, and really, filmmaking and documentary,” Michael says. “I learned how to cover events with wide shots, close-ups, and reactions – and that even in a wedding there are main characters and a supporting cast that make up the visual story of an event.”
Next came four years working in Los Angeles as an editor in “the television machine.” He worked on a slew of shows, including one during which he had to blur out Bobby Brown’s privates and then met him an hour later over lunch.
“When I begin any edit, I have two main goals – to make you cry or to make you pee your pants. Or both if I’m really successful.”
Amanda Griffin is a film editor based in Los Angeles. Originally from the Midwest, she graduated from The University of Iowa with a BA in Cinema and Comparative Literature in 2010. She found that Filmmaking was a way to combine her interests in fine art, film theory, and photography. She has edited multiple award winning feature-length and short films, including: Animals (2014) SXSW Film Festival Special Jury Award Winner for Courage in Storytelling, A Light Beneath Their Feet (2015) Mill Valley Film Festival Audience Favorite, the documentary The 414’s: The Original Teenage Hackers (2015) Sundance Film Festival, and American Fable, which recently premiered at the 2016 SXSW Film Festival.
Matt Prekop is an editor at September Club. He is the editor of Operation Allie, which premiered at the Big Sky Film Festival in 2016.
Erin Elders is a director, writer and editor who studied film / video at Columbia College in Chicago, where he helped found the band Maps & Atlases. The band released two EPs, two full length albums, and toured internationally.
Editing and directing music videos and web content for M&A brought Elders back to the world of filmmaking and he left the band in 2014 to pursue that passion full time.
He recently finished work editing his first feature documentary, Don’t Break Down, the story of the seminal emo-punk band, Jawbreaker.